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The Benton Mural Records, 1997-2002, contains records regarding the Indianapolis Museum of Art’s assistance in the conservation of the Benton Murals, primarily the murals housed on Indiana University’s campus. The Benton Murals are a series of murals created by Thomas Hart Benton, a regionalist American painter, muralist, and printmaker from the Great Depression. A large portion of the collection consists of the file folders of paper documents. While there is a Media series, photos are also located in other series where they are relevant. The collection is comprised of records produced and collected by staff, including Martin J. Radecki, director of conservation. Many of the records were originally housed in binders and were kept in their original order. Researchers will find information regarding conservation efforts of value.

The Conservation Records, 1970-2005, contains records regarding the conservation department of the Indianapolis Museum of Art. A large portion of the collection consists of file folders of paper documents and photographs related to conservation efforts involving both art and historical preservation. The collection is comprised of records produced and collected by staff, including Claire Hoevel and Martin J. Radecki. Many of the records were originally housed in binders. When transferred to folders, these records were kept in their original order. Researchers will find information regarding forgery investigations and the GSA Federal Courthouse Murals of value.

The Maxwell Anderson papers, 2000-2010, contain records regarding the Indianapolis Museum of Art after Anderson officially took over as director from Anthony Hirschel. The collection contains records primarily sourced from the director’s office and documents the administrative actions of the institution from the director level. The collection is organized by subject, but the individual files are in original order with no further arrangement. Due to Anderson’s involvement with the surrounding community, researchers will find information regarding Crown Hill of value. Not all records fall within Anderson’s time as director. The collection contains records regarding Lawrence O’Conner who served as interim director between Hirschel and Anderson. There are also copies, references, or continuations of projects started by past directors that were used by Anderson.

The Robert A. Yassin Papers, 1963-1991, undated, contains records regarding the Indianapolis Museum of Art after Yassin took over as director from Carl Weinhardt. The collection contains records primarily sourced from the director’s office and documents the administrative actions of the institution from the director level. The collection is organized by subject, but the individual files are in original order with no further arrangement. Due to Yassin’s involvement with other organizations, researchers will find correspondence of value. Not all records fall within Yassin’s time as director. The records from before 1975 are copies, references, or continuations of projects started by past directors that were used or continued by Yassin. The records from after 1990 refer to what would have been at the time, future endeavors, predictions, plans, and aspirations that were started or conducted under or by Yassin.

The Trustee Records, 1944-2007, contains records regarding the trustees of the Indianapolis Museum of Art at Newfields. The earlier records, prior to the name change in 1969, refer to the John Herron Art Institute. However, a majority of the records in this collection were created after 1975. Records within this collection include correspondence, memorandums, gift agreements, deeds, and obituaries. The arrangement is alphabetical by last name. There are multiple types of trustees represented in these records, including but not limited to, life, testamentary life, sustaining life, at large, elected, honorary, and representative trustees. Note that many of the women listed were originally listed under their husbands’ names and the documents will reflect this. Research was conducted and the names were changed within the finding aid to ensure that the female trustees received credit for their contributions.

The William Henry Fox Papers, 1884-1940, undated, contains records regarding the John Herron Art Institute while under the directorship of Fox after he took over from the unofficial first director of the museum, Anna Turrell. The collection contains records such as correspondence, financial reports, and acquisition data primarily sourced from the director’s office. It documents the early administrative actions of the institution. Note that administration reorganization has taken place since these records were created. Some current directorial responsibilities were being handled by various boards and can be found within the Boards and Committees Records collection (ADV 003). The collection is organized by subject, but the individual files are in original order with no further arrangement. The bulk of dates fall between 1902 and 1912. Researchers will find information regarding early correspondence and history of value.