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The Dorothy Reifel Collection on J. Ottis Adams contains primary source documents and research files about the life and times of Indiana artist J. Ottis Adams, collected by Dorothy Reifel.

The Garo Antreasian Study Collection was originally contained in four boxes, and was comprised primarily of original or xerox copies of published material. All publications were transferred to the IMA's Stout Reference Library to be cataloged individually as part of the "Garo Antreasian Study Collection." Archival material remained in the IMA Archives. Archival material includes Garo Antreasian's research notes, exhibition/workshop ephemera, correspondence, a John Herron Art School curriculum binder, and three mounted photographs. Sent with a letter from Bob Evermon of Cranbrook Academy of Art were test prints with annotations, which have been housed in OVB folders.

The J. Ottis Adams Papers Addition includes three scrapbooks containing clippings, ephemera, correspondence, and photographs of the artist’s home and studio. The first and second scrapbooks document the artist’s professional life between the periods of 1891-1927 and 1895-1904. The final scrapbook was assembled by the artist’s family and contains additional material and notes related to the artist’s life, dated between 1901 and 1967. A letter from the St. Louis World’s Fair Department of Art (1904) is also included.

The first series, Personal and Professional Materials, includes business cards, clippings, a postcard from the artist Clifton Wheeler, small black and white reproductions of the J. Ottis Adams painting The Gleaners, 1886, and an anonymous painting of Mary Queen of Scots, as well as the Adams family's inventories of the collection. The second series, Exhibition Materials, consists of exhibition catalogues, announcements, and art association bulletins. The last series, Journals, includes journals with articles about J. Ottis Adams, Winifred Adams, and other artists of the Hoosier Group.

The Kurt F. Pantzer Collecting Papers document the fine art and book collecting of the Indianapolis businessman and civic leader who was known for having the largest collection in America of artworks by British artist Joseph William Mallard (J.M.W.) Turner (1775-1851). The archival collection was given to the Curatorial Department of the Indianapolis Museum of Art with Pantzer's art collection in the 1970s and was transferred to the archives in October of 2014.