Garo Antreasian Study Collection, 1957-1995, undated

Identity elements

Reference code

US M014

Level of description

Collection

Title

Garo Antreasian Study Collection, 1957-1995, undated

Date(s)

  • 1957-1995, undated (Creation)

Extent

4.25 linear feet (2 boxes, 1 OVA folder, 3 OVB folders)

Name of creator

Biographical history

Garo Antreasian was born on February 16, 1922 in Indianapolis. He attended Arsenal Technical High School from 1936-1940, where he studied art and was first introduced to lithography by his teacher Sara Bard. Antreasian majored in painting and continued to study lithography at the John Herron Art School, part of the John Herron Art Institute, from 1940 to 1942. He took a break from school to enlist in the Coast Guard, where he was stationed in the Pacific and served as a combat artist. After being discharged in February 1946, Antreasian returned to Indianapolis and resumed his studies at Herron. In 1948, he received his BFA and joined the Herron faculty as the first instructor of printmaking. In 1949, Antreasian spent the summer in New York studying at the Art Students League and Atelier 17. During the 1950s, Antreasian?s work was exhibited around the country, including the First International Biennial Exhibition of Color Lithography and Prints U.S.A. In 1959, he published an important article on the state of American lithography in News of ?Prints,? the journal of the Print Council of America. Antreasian took a year leave of absence from Herron to serve as first Technical Director of the new Tamarind Lithography Workshop in Los Angeles, CA. After his return to Herron in 1961, Antreasian created a mosaic mural for the Indiana State Office Building, and initiated a Tamarind-Herron partnership for training Tamarind Printer Fellows. It is at this time that he began to draft the Tamarind Book of Lithography: Art & Techniques, of which a third draft (1965) is included in this collection. In 1963/64, Antreasian was offered and accepted a position as associate professor of art at the University of New Mexico, Albuquerque, and was promoted to the rank of professor and the University of New Mexico in 1968. The Tamarind Institute was transferred to UNM in 1970. Antreasian served as co-director with Clinton Adams, who also co-authored Tamarind Book of Lithography: Art & Techniques, which was published that same year. Antreasian received the distinguished alumni award from the John Herron School of Art and an honorary doctor of fine arts degree from Indiana University-Purdue University Indianapolis in 1972. It is in that year that Antreasian designates the Indianapolis Museum of Art as an archives for his graphic work. Soon after, he retired from his position at the Tamarind Institute to return to teaching full time. Antreasian divided his time between his faculty position at UNM and guest instructorships at many colleges and universities until his retirement in 1987. After his retirement, he continued to accept invitations to serve as visiting artist and guest lecturer at multiple institutions. Antreasian maintained an active retirement, creating prints and painting in New Mexico. He passed away peacefully November 4, 2018.

Content and structure elements

Scope and content

The Garo Antreasian Study Collection was originally contained in four boxes, and was comprised primarily of original or xerox copies of published material. All publications were transferred to the IMA's Stout Reference Library to be cataloged individually as part of the "Garo Antreasian Study Collection." Archival material remained in the IMA Archives. Archival material includes Garo Antreasian's research notes, exhibition/workshop ephemera, correspondence, a John Herron Art School curriculum binder, and three mounted photographs. Sent with a letter from Bob Evermon of Cranbrook Academy of Art were test prints with annotations, which have been housed in OVB folders.

System of arrangement

Original order

Conditions of access and use elements

Conditions governing access

Collection is open for research.

Physical access

Technical access

Conditions governing reproduction

Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder. Please contact the Archivist for more information.

Languages of the material

    Scripts of the material

      Language and script notes

      Finding aids

      Acquisition and appraisal elements

      Custodial history

      Immediate source of acquisition

      Gift of Garo Antreasian in September 1995, and transferred by Marty Krause, Curator, in 2016.

      Appraisal, destruction and scheduling information

      Accruals

      Related materials elements

      Existence and location of originals

      Existence and location of copies

      Related archival materials

      Related descriptions

      Notes element

      Specialized notes

      Alternative identifier(s)

      Description control element

      Rules or conventions

      Describing Archives: A Content Standard (DACS)

      Sources used

      Archivist's note

      Processed by Samantha Norling, and updated by Lydia Spotts in 2018.

      Access points

      Place access points

      Accession area