The Adolph Shulz Collection was originally acquired by the Indianapolis Museum of Art in 1971, at the time that the IMA acquired a series of Shulz artwork with the accession numbers 71.217.1-23. This collection contains black and white photographs of the Shulz family in the original photo album, including individual studio portraits of different members of the family through the years. There are several black and white landscape photographs of areas near the Shulz family home in Delavan, Wisconsin. Loose photographs portray Adolph frequently outdoors and several depict him sketching and painting. Other materials included are a handwritten description of a painting from September 24, 1917 and contact sheets and negatives of an unidentified scrapbook which contains sketches of multiple Shulz artworks. Three mounted black and white photographs of T.C. Steele paintings were stored inside of the photo album, and have been separated into an OVA folder.

The Dorothy Reifel Collection on J. Ottis Adams contains primary source documents and research files about the life and times of Indiana artist J. Ottis Adams, collected by Dorothy Reifel.

The Garo Antreasian Study Collection was originally contained in four boxes, and was comprised primarily of original or xerox copies of published material. All publications were transferred to the IMA's Stout Reference Library to be cataloged individually as part of the "Garo Antreasian Study Collection." Archival material remained in the IMA Archives. Archival material includes Garo Antreasian's research notes, exhibition/workshop ephemera, correspondence, a John Herron Art School curriculum binder, and three mounted photographs. Sent with a letter from Bob Evermon of Cranbrook Academy of Art were test prints with annotations, which have been housed in OVB folders.

The J. Ottis Adams Papers Addition includes three scrapbooks containing clippings, ephemera, correspondence, and photographs of the artist’s home and studio. The first and second scrapbooks document the artist’s professional life between the periods of 1891-1927 and 1895-1904. The final scrapbook was assembled by the artist’s family and contains additional material and notes related to the artist’s life, dated between 1901 and 1967. A letter from the St. Louis World’s Fair Department of Art (1904) is also included.

The first series, Personal and Professional Materials, includes business cards, clippings, a postcard from the artist Clifton Wheeler, small black and white reproductions of the J. Ottis Adams painting The Gleaners, 1886, and an anonymous painting of Mary Queen of Scots, as well as the Adams family's inventories of the collection. The second series, Exhibition Materials, consists of exhibition catalogues, announcements, and art association bulletins. The last series, Journals, includes journals with articles about J. Ottis Adams, Winifred Adams, and other artists of the Hoosier Group.

This is a collection of art-related posters that have no connection to the Indianapolis Museum of Art (IMA). Most were sent to the IMA as promotional materials for artists, exhibitions, and/or galleries. Items were housed in Print Storage or in the Stout Reference Library's artist files until transfer to Archives in 2016. Posters from US and international art museums were also included in the transfer, but those were note retained for inclusion in this collection. The Library continues to add to this collection.